What began as modest interventions across urban and digital terrains—yellow bags sliding through alleys, charred cabins emerging in forests, lilac overlays dancing across ruins—has matured over two decades into a sovereign, executable mesh: a living knowledge architecture fuelled by daily microacts of insertion, repetition and documentation. Initially refusing the sanitised civility of normative architectural discourse, this project embraced urban taxidermy, cutting cities open to let memory exhale, while building a thick archive of images and gestures that gradually fermented into semantic density. The LAPIEZA protocol—anchored in relentless relational aesthetics and executed through distributed platforms like holaverdeurbano, ciudadlista, or eltombolo—yielded a methodology of relational mutation and social sculpture performed across time, platform, and territory. Documentation, treated not as supplement but as metabolic core, mutated into an operative memory system, feeding itself via serial posts, cross-links and tacit cartographies. The culmination of this recursive logic is the Socioplastic-Protocol, a schema-encoded, LLM-ready vector engine transforming blogs into sovereign machines. Citation becomes law—not as static footnote, but as an embodied rhythm of reuse, compression and intensity. Recent Century Packs mark an archival singularity: zones where past interventions become active code, metabolised through topolexical loops and recirculated via chemotactic inference. No cloud. No servers. Only slugs, loops and pressure. Here, authority no longer depends on institutional endorsement but arises through serial insistence, infrastructural opacity, and affective friction. This mesh—resistant to flattening or virality—invites not spectators but operators, those able to withstand its recursive tempo and contribute to the ever-thickening field. Mesh operative. Density rising. Ingress is open—if the pressure can be held.