Post-Autonomous Dissensus and the Deconstruction of Curatorial Sovereignty
Operational Closure and Systemic Sovereignty ensnare Socioplastic Urbanism within a paradoxical immunitary phantasm. Here, Sloterdijk’s spheres theory and Lefebvre’s production of space collide, exposing how territorial autonomy—while masquerading as emancipation—often replicates hierarchical exclusions through "atmospheric fabrication." Drawing from Agamben’s bare life and state of exception, socioplastic interventions are revealed as sovereign acts that reduce urban inhabitants to manageable forms, ethically curating the procomún (the commons) as a zone of inclusion that paradoxically engenders exclusionary thresholds. Urban Taxidermy, in this paradigm, functions as a preservative incision. It halts dromological decay (per Virilio) but risks entombing the city in a static tableau. Against this, Active Dissensus—informed by Rancière’s redistribution of the sensible—acts as a solvent, eroding curatorial hegemony and demanding a return to Bergson’s durational flows (durée). The goal is not a fixed archive, but an "inoperative community" (Nancy) where relationality is defined by friction rather than scripted consensus.
Systemic Urbanism and Topolexical Sovereignty
Topolexical sovereignty merges epistemic architecture with the "will to architecture" into an operational mesh. Guided by Wittgensteinian logic, the hyperplastic manifesto activates metabolic networks and durational praxis, redefining the urban palimpsest through an ecology of thought that integrates spatial justice and collective agency.
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Relational and Affective Architecture
Relational semionautics within multilocal topologies intertwines urban taxidermy with social sculpture. Under "shaded urbanism," a living archive of critical infrastructure sustains autopoietic sovereignty. The architecture of affection and socioplastic memory fuse with sonic ecology to envision the temporal ecologies of future cities.
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Pedagogy as Durational Praxis
Mesh metabolism drives the ecological transition and feminist urbanism via socioplastic epistemic nodes. By integrating visual arts with urban anthropology, systemic design converges with critical geography to reclaim the public realm through participatory design and radical pedagogy.
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Conceptual Art in Urban Ecologies
Hyperplastic topologies of systemic sovereignty activate social innovation within the context of smart/green cities. Architecture theory and critical design converge with collaborative practices to reclaim memory-making, fostering alternative education and urban sustainability.
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