Socioplastics, developed by Anto Lloveras through LAPIEZA-LAB, constitutes a narrative and epistemological infrastructure that reformulates the relationships between science, philosophy, architecture, art and the public production of knowledge. Its scientific dimension does not primarily conform to the hypothetico-deductive paradigm; instead, it adopts a systematic, inductive and constructive logic aligned with complexity studies, action research and the digital humanities. Its organisation into tomes, cores, operators and nodes provides traceability, scalability and citability, while metadata, persistent identifiers, datasets and knowledge graphs enable a form of synthetic legibility addressed simultaneously to human readers and computational systems. Epistemologically, the project achieves its greatest density: operators such as GenealogyGradient, ErrorEmbodiment and ReasonExterior do not describe stable objects, but identify mechanisms through which knowledge delineates territories, embodies error, distributes authority and transforms institutions. Knowledge therefore ceases to signify the neutral representation of reality and becomes a situated practice of relational construction. Philosophically, Socioplastics converges with genealogy, post-structuralism, phenomenology, pragmatism and new materialism, while reassembling them through an explicitly architectural mode of thought. Its treatment of autonomy is especially revealing: the corpus does not seek separation from its genealogies, but develops the internal conditions for its own transformation and circulation. Although its validation remains more coherentist than experimental, this condition also defines its singularity. Socioplastics ultimately operates as a soft ontology: it does not impose absolute truths, but proposes operational grammars for interpreting, inhabiting and transforming complex realities.
