Mostrando entradas con la etiqueta ARCHITECTURE. Mostrar todas las entradas
Mostrando entradas con la etiqueta ARCHITECTURE. Mostrar todas las entradas

Friction as Method * Urban climate research becomes accountable when disciplinary contradictions reconstruct the object, revise evidence and expose institutional exclusions.


Contemporary urban phenomena resist disciplinary enclosure: microclimatic heat, for example, appears simultaneously as atmospheric measurement, architectural condition, bodily exposure and symptom of infrastructural abandonment. Yet conventional interdisciplinarity frequently aggregates these perspectives without examining whether the research object remains stable across their translations. Drawing upon Haraway’s situated objectivity, Stengers’ ecology of practices, Barad’s relational ontology and Latour’s sociology of association, an alternative assembly must transform contradiction from methodological inconvenience into investigative infrastructure. Under this protocol, each discipline declares its evidentiary limits and records the encounters that compel those limits to change. Consider an overheated housing estate where external sensors indicate tolerable temperatures while residents report severe nocturnal distress. Rather than dismiss testimony as subjective error, accountable disagreement expands the object of inquiry to include indoor heat retention, restricted mobility, tenancy conditions, energy poverty and uneven access to cooling. The discrepancy therefore reveals not competing descriptions of an identical space, but differently constituted realities whose friction demands epistemic reconstruction. A case-study synthesis would consequently document not only thermal readings and interviews, but also the precise revision event through which environmental science accepts domestic immobilisation as legitimate exposure evidence, or architecture recognises tenancy governance as a material determinant. The framework is falsifiable: transdisciplinarity has failed wherever no participating practice alters what it counts as relevant evidence. Urban knowledge becomes publicly accountable, therefore, not through harmonious synthesis, but through an auditable archive of disciplinary transformation in which institutional resistance itself becomes an empirical finding.

Barad, K. (2007) Meeting the Universe Halfway. Durham, NC: Duke University Press; Haraway, D. (1988) ‘Situated Knowledges’, Feminist Studies, 14(3), pp. 575–599; Latour, B. (2005) Reassembling the Social. Oxford: Oxford University Press; Lloveras, A. (2026) TransEpistemology. LAPIEZA-LAB. Available at: https://doi.org/10.5281/zenodo.18999225; Stengers, I. (2018) Another Science Is Possible. Cambridge: Polity.

OTTO //// DANINO BOZIC SERBIA 2016












OTTO
BY BOZIC






TERRA INTERNATIONAL









SHOW #77 ***** ::::::::::::::::::::::::::: POMPA 2017



1011 OTTO - DANINO BOZIC - CLAY  MICRO-ARCHITECTURE ////

1012 REMEDIOS CASEROS - ANAMUSMA - HOME IS FINE ////////
1013 SIN TÍTULO - ANDRÉS MONTES - SE CONTRADICEN ///////
1014 PAULA LLOVERAS : PHOTO URBANISMS - MIRROR /////////
1015 TOMOTO : MEAT 121-130 THE CITY IS AN ANIMAL ///////
1016 EL INTRUSO - NARANJAS FRESCAS - 348 FRESH /////////
1017 LEYRE MONTES - BESUCONAS - STUDIO /////////////////
1018 REGINA FIZ - SALVE REGINA - NATIONAL LIBRARY //////
1019 NATURALES - MARÍA ENRÍQUEZ - OLÉ //////////////////
1020 PÁJAROS DE CÁDIZ - MAQUEDA ////////////////////////







FREDRIK LUND__________ MATURE WOOD GOTHENBURG 2017 SNOW TREES GREY LIGHT_________LAPIEZA 1057 SUCK














SHOW #81 *****___________ 2017 ********************* SUCK





1051 BOZIC BLACK STAR ::::: DANINO BOZIC ::::::::: 

1052 GORO SHIMANO :: SKYPE SERIES VIENA________YOU 
1053 PAULA LLOVERAS___SWAN STORY ::::::::: ECO ECO 
1054 EL INTRUSO ::::::::: GENTLE 382 CONVERSATIONS 
1055 TOMOTO COPOS  500 501 502 503 504 505 506 507 
1056 ::: ESPIGÓN DE SAN MIGUEL :::: MAQUEDA::::::: 
1057 FREDRIK LUND ::::::::: MATURE WOOD ********** 
1058 ENTRA EN VERDE______HOLA VERDE URBANO___FRESH 
1060 STEAMED __ FOOD RITUAL SERIES__________::::::